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Cindy Sherman - Johanna Burton
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(*)
Johanna Burton:

Cindy Sherman - nuovo libro

2007, ISBN: 9780262524636

ID: 1001004002891340

With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of..., With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance.Soort: Met illustraties; Taal: Engels; Oorspronkelijke titel: Cindy Sherman; Afmetingen: 0x0x0 mm; Gewicht: 590,00 gram; Verschijningsdatum: januari 2007; Druk: 1; ISBN10: 0262524635; ISBN13: 9780262524636; , Engelstalig | Paperback | 2007, Kunst & Cultuur, Beeldende kunst, Kunst & Cultuur, Fotografie, Kunst, Geschiedenis, Fotografie, Individuele fotografen, Kunst, Individuele kunstenaars, Biografieën, Kunstenaars, architecten & fotografen, Kunst & Cultuur, Kunstgeschiedenis, Kunst, Recensies & Besprekingen, Mit Press Ltd

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Cindy Sherman - Johanna Burton
libro esaurito
(*)

Johanna Burton:

Cindy Sherman - nuovo libro

2007, ISBN: 9780262524636

ID: 9780262524636

Cindy Sherman: Paperback: MIT Press: 9780262524636: 12 Jan 2007: Critical essays on Cindy Sherman and one of contemporary art's most innovative bodies of work. With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest-while at the same time slipping away from-so many possible readings. The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays-by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss-respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. Individual Photographers, , , , Cindy Sherman, Johanna Burton, 9780262524636, MIT Press Ltd, , , , ,, [PU: MIT Press]

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Cindy Sherman - Johanna Burton
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Johanna Burton:
Cindy Sherman - edizione con copertina flessibile

ISBN: 0262524635

ID: 1252450875

[EAN: 9780262524636], Neubuch, [PU: MIT Press Ltd], Art|Individual Artist, Photography|Criticism, Photography|Individual Photographer, BRAND NEW, Cindy Sherman, Johanna Burton, With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance.

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Cindy Sherman - Johanna Burton
libro esaurito
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Johanna Burton:
Cindy Sherman - edizione con copertina flessibile

ISBN: 0262524635

[SR: 814891], Paperback, [EAN: 9780262524636], The MIT Press, The MIT Press, Book, [PU: The MIT Press], The MIT Press, 933608, Sherman, Cindy, 934308, ( S-U ), 933676, Artists, A-Z, 933484, Arts & Photography, 927726, Subjects, 916520, Books, 11553404011, Criticism, 933500, Criticism & Essays, 933486, Photography & Video, 933484, Arts & Photography, 927726, Subjects, 916520, Books, 10929301, Criticism, 934480, History & Criticism, 933484, Arts & Photography, 927726, Subjects, 916520, Books, 15852191, Contemporary Art, 934484, Schools, Periods & Styles, 933484, Arts & Photography, 927726, Subjects, 916520, Books

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Cindy Sherman (Paperback) - Johanna Burton
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Johanna Burton:
Cindy Sherman (Paperback) - edizione con copertina flessibile

2006, ISBN: 0262524635

ID: 6261261498

[EAN: 9780262524636], Neubuch, Art|Individual Artist, Photography|Criticism, Photography|Individual Photographer, Paperback. With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 222 pages. 0.490, [PU: MIT Press]

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Dettagli del libro
Cindy Sherman
Autore:

Burton, Johanna (EDT)/ Owens, Craig (CON)/ Crimp, Douglas (CON)/ Williamson, Judith (CON)/ Solomon-Godeau, Abigail (CON)

Titolo:

Cindy Sherman

ISBN:

0262524635

With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance.

Informazioni dettagliate del libro - Cindy Sherman


EAN (ISBN-13): 9780262524636
ISBN (ISBN-10): 0262524635
Copertina rigida
Copertina flessibile
Anno di pubblicazione: 2006
Editore: MIT PR
222 Pagine
Peso: 0,490 kg
Lingua: eng/Englisch

Libro nella banca dati dal 31.05.2007 15:45:12
libro trovato per l'ultima volta il26.11.2016 17:16:45
ISBN/EAN: 0262524635

ISBN - Stili di scrittura alternativi:
0-262-52463-5, 978-0-262-52463-6

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