2009, ISBN: 9780870705205

Los Angeles, CA: Art Issues, Press; Foundation for Advanced Critical Studies, Inc., 1995. xix, 420 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. Dust jacket with … Altro …

Los Angeles, CA: Art Issues, Press; Foundation for Advanced Critical Studies, Inc., 1995. xix, 420 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. Dust jacket with light edgewear. Another copy available. Art critic for the LA Times. "Christopher Knight is the unprecedented five-time winner of the Chemical Bank Award for Distinguished Newspaper Art Criticism, and was a finalist for the 1990 Pulitzer Prize in criticism. Writing first for the Los Angeles Herald Examiner and now for the Los Angeles Times, Knight has developed a new journalistic approach to American art and culture, in which a radical defense of images stands alongside an incisive critique of cultural institutions. Among the 129 essays and reviews collected here are individual writings on internationally important historical figures, such as Rembrandt van Rijn, Tung Ch'i Ch'ang, and Édouard Manet; contemporary American masters like Edward Ruscha and Mike Kelley; and significant artists virtually forgotten today, such as California's Henrietta Shore and Mexico's Hermenegildo Bustos. Articles address politically motivated attacks on the NEA; the sculpture commissioned as the Vietnam Women's Memorial; Ariana Huffington's cynical biography of Picasso; the emergence of Los Angeles, birthplace of America's distinctive suburban sprawl, as a cultural powerhouse; the criticism of Time magazine's Robert Hughes and The New Criterion's Hilton Kramer; and a wide variety of museum exhibitions, both large and small." - Publisher.. 1st.. Hardcover. Very Good/Very Good. 8vo., Art Issues, Press; Foundation for Advanced Critical Studies, Inc., 1995, 3, Eugene, OR: University of Oregon Museum of Art, 2004. Retired library copy. minimally ink-stamped, in otherwise immaculate condition; Very lightly edge-rubbed; Laid in, on single-page card stock, an essay by Sharon Coplan Hurowitz, curator of Jordan Schnitzer's personal and foundation collections. 40p. . First Edition. Wraps. Near Fine. Illus. by Color and b&w Images. 4to - Over 9 " -12" Tall. Ex-Library, Exhibition Catalog., University of Oregon Museum of Art, 2004, 4, Dia Center for the Arts, New York, 1999 fine . no dj. pictorial boards are clean and bright. no inscriptions. internally a good crisp copy. First edition.collectable . delightful clean copy. From the personal collection of a dealer/collector, purchased for investment Published on the occasion of the exhibition held at the Museum of Modern Art, New York, 2 November 2008 - 12 January 2009. Summary: Taking Joan Miro's notorious declaration of 1927--"I want to assassinate painting"--as its point of departure, this richly illustrated volume is the first to focus on Miro the "anti-painter," identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miro: Painting and Anti-Painting 1927-1937 surveys the various material, iconographical and rhetorical forms of Miro's attacks on painting by presenting, in chronological sequence, 12 distinct series of works, beginning with a remarkable group of paintings on unprimed canvas and concluding with Miro's return to Realism in "Still Life with Old Shoe" (1937). Acidic color, grotesque disfigurement, stylistic heterogeneity and the use of resistant, ready-made materials are among the key tactics of aggression that are explored in this extraordinary presentation of the interrelated and oppositional series of paintings, collages, objects and drawings Miro produced during this crucial decade of his long career. This volume integrates close scrutiny of Miro's materials and processes with historical and iconographic analysis, leading to an expanded understanding of the underappreciated aggressiveness of an artist long regarded as Surrealism's most lyrical painter-poet. Joan Miro was born in 1893 in Barcelona. After his first trip to Paris in 1920, and through 1931, Miro generally spent half of each year in the French capitol and half in his native Catalonia, returning to live in France after the outbreak of the Spanish Civil War in 1936. One of the twentieth century's greatest Modern artists, Miro created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. He died in 1983 in Palma de Mallorca, Spain. Contents: Miro the assassin / Anne Umland -- The language of materials / Jim Coddington -- Paintings on unprimed canvas, 1927 / Anne Umland -- Spanish dancers and Portrait of a dancer, 1928 / Anne Umland --Dutch interiors and imaginary portraits, 1928-1929 / Anne Umland --Collages, 1929 / Anne Umland -- Large paintings on white grounds, 1939 / Anne Umland -- Constructions and objects, 1930-1932 / Adele Nelson -- Paintings based on collages, 1933 / Jordana Mendelson -- Drawing-collages, 1933-1934 / Jordana Mendelson -- Pastels on flocked paper, 1934 / Anne Umland -- Paintings on cardboard and Object (Object of sunset), 1935-1936 / Anne Umland -- Small paintings on masonite and copper, 1935-1936 / Robert S. Lubar -- Paintings on masonite, 1936 / Robert S. Lubar -- Still life with old shoe, 1937 / Robert S. Lubar -- Catalogue / compiled by Adele Nelson, Dia Center for the Arts, New York, 1999, 0, NY,NY: MoMA. Price clip. 216 pages. 189 illustrations. 30 in color. Clean and tight in very good glossy jacket. Illustrations all from the Museum of Modern Art NYC Collections. Good book perhaps for the "short intelligent look". Size: 8vo . Very Good +. Hardcover. Hardcover Edition. 1976., MoMA, 1976, 3<

ISBN: 9780870705205

First edition paperback, which is in fine condition. Please see photos for condition. Seller will carefully wrap book in bubble wrap, box it, and ship it with tracking.The Phillips Collec… Altro …

First edition paperback, which is in fine condition. Please see photos for condition. Seller will carefully wrap book in bubble wrap, box it, and ship it with tracking.The Phillips Collection in Washington, D. C. is one of the world's most outstanding art collections. It was the first museum of modern art in the United States and today stands as a legacy to the uniquely enlightened connoisseurship of its founder and creator, Duncan Phillips. Phillips collected primarily work by French and American artists, and the collection's holdings include work by leading impressionist, post-impressionist, abstract and abstract expressionist artists, as well as works by earlier artists Phillips considered critical to the development of modern art. Art Beyond Isms accompanies a major travelling exhibition opening at the Museum of Fine Arts, Houston this autumn and features just over 60 of the most important European works from the Phillips. These are mainly nineteenth- and twentieth-century French paintings - including Renoir's The Luncheon of the Boating Party - as well as five important paintings by Cezanne. Among the non-French artists van Gogh, Kokoscha, Klee and Modigliani are represented. Important proto-modern works by such artists as Constable, El Greco and Goya are also included. Works are presented either individually, or in groups accompanied by succinct narrative entries giving key art historical and biographical information. An introduction by Jay Gates, Director of The Phillips Collection, and an essay on Duncan Phillips as a collector by Eliza Rathbone, Chief Curator, and a Chronology are also included., Third Millennium Pub Ltd, 5, Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages., 2.5<

1993, ISBN: 9780870705205

edizione con copertina rigida

Tyne and Wear Museums, 1993. Tall format. 52pp, colour illustrated laminated covers. Colour and b + w illustrations. A very clean copy. The catalogue of the exhibition held at the Laing… Altro …

Tyne and Wear Museums, 1993. Tall format. 52pp, colour illustrated laminated covers. Colour and b + w illustrations. A very clean copy. The catalogue of the exhibition held at the Laing Art Gallery, Newcastle, in 1993, drawing on the Gallery's own extensive collection, with an essay on early, 19th century and modern watercolours. First Edition. Soft Cover. Fine., Tyne and Wear Museums, 1993, 5, The Museum : distributed by Oxford University Press, 1976. Hardcover. Good., The Museum : distributed by Oxford University Press, 1976, 2.5<

2001, ISBN: 9780870705205

Hardcover, Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or … Altro …

Hardcover, Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. , [PU: The Museum of Modern Art]<

ISBN: 9780870705205

Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects., 3