Alomon Reinach:The story of art throughout the ages
- edizione con copertina flessibile ISBN: 1443200301
[EAN: 9781443200301], Neubuch, [PU: RareBooksClub], ALOMON REINACH,TEENS, This item is printed on demand. Paperback. 88 pages. Dimensions: 9.7in. x 7.4in. x 0.2in.This historic book may h… Altro …
[EAN: 9781443200301], Neubuch, [PU: RareBooksClub], ALOMON REINACH,TEENS, This item is printed on demand. Paperback. 88 pages. Dimensions: 9.7in. x 7.4in. x 0.2in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1904 Excerpt: . . . di Credi. --Piero dci Franceschi and Luca Signorelli. --The Character of Florentine Painting. --Florentine Sculpture. --Donatello, Yerrocchio, Desiderio da Settignano. --Jacopo della Quercia. --Luca della Robbia. --Andrea Sansovino. --Fifteenth Century Florence compared with the Athens of Pericles. --The Living, or Tactile Quality of the Highest Art. its domination down to our own times. 1 In the middle of the sixteenth century it was generally believed in Florence that certain Byzantine painters, who had been summoned to the town about the year 1260, awakened the latent talent of Cimabue, and that this artist was the first Italian painter, just as Adam was the first man. The legend went on to tell how Cimabue, in his turn, discovered the genius of the shepherd, Giotto, by seeing him draw the outline of a sheep on the rock with a sharp stone. These tales are mere fables. Cimabue was a worker in mosaic; no authenticated FIG. 232. --SS. PETER AND JOHN GIVING ALMS. MASACCIO. (Church of the Carmine, Florence. ) the Florentines in power, surpassed them perhaps in passion, poetry, and tenderness. A little Sienese picture of the highest quality is a feast for the eyes; but works of the first rank are rare in this school, which produced too quickly and too abundantly. The weakness of the Sienese school was that it aimed rather at the portrayal of expression and emotion than at perfection of form. When once this tendency is established, decadence follows rapidly, for painters vie with each other in the rendering of violent ian masters, it is necessary to study his frescoes; but the excellent picture by him in the Louvre, St. Francis receiving the Stigmata, gives some faint idea of his powers. Giottos drawing is not always correct, his draperies are sometimes heavy and his head. . . This item ships from La Vergne,TN.<
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ESEMPIO
Alomon Reinach:The story of art throughout the ages
- edizione con copertina flessibile ISBN: 9781443200301
RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 88 pages. Dimensions: 9.7in. x 7.4in. x 0.2in.This historic book may have numerous typos and missing text. Purc… Altro …
RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 88 pages. Dimensions: 9.7in. x 7.4in. x 0.2in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1904 Excerpt: . . . di Credi. --Piero dci Franceschi and Luca Signorelli. --The Character of Florentine Painting. --Florentine Sculpture. --Donatello, Yerrocchio, Desiderio da Settignano. --Jacopo della Quercia. --Luca della Robbia. --Andrea Sansovino. --Fifteenth Century Florence compared with the Athens of Pericles. --The Living, or Tactile Quality of the Highest Art. its domination down to our own times. 1 In the middle of the sixteenth century it was generally believed in Florence that certain Byzantine painters, who had been summoned to the town about the year 1260, awakened the latent talent of Cimabue, and that this artist was the first Italian painter, just as Adam was the first man. The legend went on to tell how Cimabue, in his turn, discovered the genius of the shepherd, Giotto, by seeing him draw the outline of a sheep on the rock with a sharp stone. These tales are mere fables. Cimabue was a worker in mosaic; no authenticated FIG. 232. --SS. PETER AND JOHN GIVING ALMS. MASACCIO. (Church of the Carmine, Florence. ) the Florentines in power, surpassed them perhaps in passion, poetry, and tenderness. A little Sienese picture of the highest quality is a feast for the eyes; but works of the first rank are rare in this school, which produced too quickly and too abundantly. The weakness of the Sienese school was that it aimed rather at the portrayal of expression and emotion than at perfection of form. When once this tendency is established, decadence follows rapidly, for painters vie with each other in the rendering of violent ian masters, it is necessary to study his frescoes; but the excellent picture by him in the Louvre, St. Francis receiving the Stigmata, gives some faint idea of his powers. Giottos drawing is not always correct, his draperies are sometimes heavy and his head. . . This item ships from La Vergne,TN., RareBooksClub<
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ESEMPIO
Story of Art Throughout the Ages; an Illustrated Record
- nuovo libroISBN: 9781443200301
Story of Art Throughout the Ages; an Illustrated Record Paperback New Books, General Books
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