ISBN: 9783940953483

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The Nile on eBay   FREE SHIPPING UK WIDE   Javier Tellez: Braunschweig Catalogue by Hilke Wagner How did you do this Mr. Téllez? This catalog documents the first museum-based solo exhibition in Germany by the New York artist Javier Téllez (born 1969 in Venezuela). This monograph would seem to be long overdue in view of the fact that the artist has already taken part in innumerable group exhibitions, such as the Biennials in Venice (2001 and 2003), Sydney (2004) or the Whitney Biennial (2008), as well as Manifesta 7. Javier Téllez, whose work oscillates between fiction and documentation, reinterprets classic material from the stage and screen, and deconstructs accustomed socio-cultural boundaries. Alongside installations by the artist, the Kunstverein also presented Téllez's four most important films. "La Passion de Jeanne d'Arc" (Rozelle Hospital, Sydney; 2004) is regarded as being exemplary for Téllez's pioneering film production. The reworked silent film "Jeanne d'Arc" (1928) and the film "Twelve and a Marionette", which was shot in a psychiatric clinic, were shown as a double projection. Twelve women speak in very different ways about the institutional treatment of their illnesses (depression, schizophrenia). The juxtaposed projections of Jeanne d'Arc - who was stigmatized and persecuted in her day as a soul possessed and is recognized nowadays as a misunderstood visionary and national hero - place the patients' maladies in an altogether new light. In the film "Oedipus Marshal" (2006), Téllez stages Sophocles'classic tragedy, "Oedipus Rex", with Western costumes and Japanese masks. An abandoned gold rush town in Colorado served as the backdrop. The masks and maskings in Téllez's films introduce a meta level. As ambivalent elements, they both conceal or demystify them at the same time; they destabilize personality boundaries, but also symbolize the facility that psychiatric patients - whom Téllez tends to employ as actors - have for mimicry. "Letter on the Blind for the Use of Those Who See" (2007) draws on the eponymous classic by Diderot and the Buddhist parable of the blind men and the elephant. The parable makes us aware of the fact that "reality" is by no means an objective constant, but defined instead by our own perception. Téllez's film "Caligari und der Schlafwandler" (Caligari and the Sleepwalker; 2008), is based on the 1919 Expressionist silent film, "The Cabinet of Dr. Caligari". In Telléz's interpretation, Dr. Caligari carries out a kind of therapeutic conversation with Cesare, who has been in a kind on somnambulist state for years and can only communicate by means of slabs of slate. The mixture of layers of reality, changes of identity, and polyphony are common thematic strands taken up by, but also implemented in terms of representational techniques by Téllez's films. By selecting the Erich Mendelsohn's icon of Expressionist architecture, the Einstein Tower in Potsdam, as the location for the film, he also points to an epoch of art and film history in which pathological disturbances were addressed for the first time and inspiration duly drawn from them. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Author Biography Wagner, Hilke Details ISBN3940953482 Author Hilke Wagner Pages 128 Year 2010 ISBN-10 3940953482 ISBN-13 9783940953483 Format Paperback Publication Date 2010-07-01 Language English Subtitle Herausgegeben vom Kunstverein Braunschweig Short Title JAVIER TLLEZ Media Book DEWEY 709.2 UK Release Date 2010-07-01 Imprint Snoeck Verlagsgesellschaft mbH Place of Publication Cologne Country of Publication Germany Illustrations 70 col ills Publisher Snoeck Verlagsgesellschaft mbH Audience General We've got thisAt The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! 30 DAY RETURN POLICYNo questions asked, 30 day returns! FREE DELIVERYNo matter where you are in the UK, delivery is free. SECURE PAYMENTPeace of mind by paying through PayPal and eBay Buyer Protection TheNile_Item_ID:157012531; , Neu, Festpreisangebot, [LT: FixedPrice], ISBN-13: 9783940953483, Publication Year: 2010, Format: Paperback, Language: English, German, Book Title: Javier Tellez: Braunschweig Catalogue, Item Height: 270mm, Topic: Electronics, Item Width: 210mm, Number of Pages: 128 Pages, Snoeck Verlagsgesellschaft Mbh<

2008, ISBN: 9783940953483

Wie haben Sie das gemacht Mr. Téllez? Die vorliegende Publikation dokumentiert die erste institutionelle Einzelausstellung des New Yorker Künstlers Javier Téllez (geb. 1969 in Venezuela) … Altro …

Wie haben Sie das gemacht Mr. Téllez? Die vorliegende Publikation dokumentiert die erste institutionelle Einzelausstellung des New Yorker Künstlers Javier Téllez (geb. 1969 in Venezuela) in Deutschland. Längst überfällig erscheint diese Monografie eines Kü?nstlers, der bereits an unzähligen bedeutenden Gruppenausstellungen, wie der Biennale von Venedig (2001 u. 2003), Sydney (2004) oder der Whitney Biennale (2008) sowie der Manifesta 7, beteiligt war. In seiner Arbeit zwischen Fiktion und Dokumentation interpretiert Téllez klassische Literatur-, Theater- und Filmstoffe neu und reisst gewohnte soziokulturelle Grenzen ein. Die Ausstellung im Kunstverein Braunschweig umfasste neben Installationen vier seiner bedeutendsten Filmwerke. La Passion de Jeanne d’Arc (Rozelle Hospital, Sydney) (2004) gilt als wegweisende Filmproduktion Téllez’. Der überarbeitete Stummfilm Jeanne d’Arc(1928) und der in einer psychiatrischen Klinik gedrehte Film Twelve and a Marionette werden als Doppelprojektion präsentiert. Die Gegenüberstellung von Jeanne d’Arc; die zu ihrer Zeit als Besessene stigmatisiert, heute als Visionärin und Nationalheldin anerkannt ist, rückt die Patientinnen in ein neues Licht. In Oedipus Marshal (2006) inszeniert Téllez Sophokles’ klassische Tragödie König Ödipus mit Westernkostümen und japanischen Masken vor der Kulisse einer verlassenen Goldgräberstadt in Colorado. Die Maskierungen führen eine Meta-Ebene ein: Als ambivalente Elemente verschleiern und entmystifizieren sie zugleich, sie destabilisieren Persönlichkeitsgrenzen, symbolisieren aber auch die ausgeprägte Fähigkeit zur Mimikry psychisch kranker Menschen, die Téllez meist als Schauspieler einsetzt. Letter on the Blind for the Use of Those Who See (2007) greift auf den titelgebenden Klassiker von Diderot zurück und verweist darauf, dass Realität keineswegs eine objektiv bewertbare Konstante ist. Die aktuellste Arbeit Caligari und der Schlafwandler (2008) basiert auf dem expressionistischen Stummfilm Das Kabinett des Dr. Caligari von 1919. Die Vermischung von Realitätsebenen, Identitätswechsel und Mehrstimmigkeit sind Themen, die Téllez’ Filme häufig inhaltlich aufgreifen, aber auch darstellungstechnisch umsetzen. Durch die Wahl von Mendelsohns Einsteinturm – einer Ikone der expressionistischen Architektur – als Drehort, wird hier zudem auf eine Epoche der Kunst und des Filmes verwiesen, die sich erstmals mit pathologischen Störungen auseinandersetzt und sich davon inspirieren lässt. How Did You Do This Mr. Téllez? This catalogue documents the first museum-based solo exhibition in Germany by the New York artist Javier Téllez (born 1969 in Venezuela). This monograph would seem to be long overdue in view of the fact that the artist has already taken part in innumerable group exhibitions, such as the Biennials in Venice (2001 and 2003), Sydney (2004) or the Whitney Biennial (2008), as well as Manifesta 7. Javier Téllez, whose work oscillates between fiction and documentation, reinterprets classic material from the stage and screen, and deconstructs accustomed socio-cultural boundaries. Alongside installations by the artist, the Kunstverein also presented Téllez’s four most important films. La Passion de Jeanne d’Arc (Rozelle Hospital, Sydney) (2004) is regarded as being exemplary for Téllez’s pioneering film production. The reworked silent film Jeanne d’Arc (1928) and the film Twelve and a Marionette, which was shot in a psychiatric clinic, were shown as a double projection. Twelve women speak in very different ways about the institutional treatment of their illnesses (depression, schizophrenia). The juxtaposed projections of Jeanne d’Arc – who was stigmatized and persecuted in her day as a soul possessed and is recognized nowadays as a misunderstood visionary and national hero – place the patients’ maladies in an altogether new light. In the film Oedipus Marshal (2006), Téllez stages Sophocles’classic tragedy, Oedipus Rex, with Western costumes and Japanese masks. An abandoned gold rush town in Colorado served as the backdrop. The masks and maskings in Téllez’s films introduce a meta level. As ambivalent elements, they both conceal or demystify them at the same time; they destabilize personality boundaries, but also symbolize the facility that psychiatric patients – whom Téllez tends to employ as actors – have for mimicry. Letter on the Blind for the Use of Those Who See (2007) draws on the eponymous classic by Diderot and the Buddhist parable of the blind men and the elephant. The parable makes us aware of the fact that “reality” is by no means an objective constant, but defined instead by our own perception. Téllez’s most recent film, Caligari und der Schlafwandler (Caligari and the Sleepwalker) (2008), is based on the 1919 Expressionist silent film, The Cabinet of Dr. Caligari. In Telléz’s interpretation, Dr. Caligari carries out a kind of therapeutic conversation with Cesare, who has been in a kind on somnambulist state for years and can only communicate by means of slabs of slate. The mixture of layers of reality, changes of identity, and polyphony are common thematic strands taken up by, but also implemented in terms of representational techniques by Téllez’s films. By selecting the Erich Mendelsohn’s icon of Expressionist architecture, the Einstein Tower in Potsdam, as the location for the film, he also points to an epoch of art and film history in which pathological disturbances were addressed for the first time and inspiration duly drawn from them. Bücher > Fachbücher > Architektur;Bücher > Sachbücher > Kunst & Kultur > Architektur 27.2 cm x 21.2 cm x 1.5 cm mm , Snoeck, Taschenbuch, Snoeck<

2010, ISBN: 9783940953483

Paperback, 3940953482., Neubuch, collectible, *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, … Altro …

Paperback, 3940953482., Neubuch, collectible, *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in German and English. 128 pages; 67 ills. --with a bonus offer--, [PU: Snoeck]<

2010, ISBN: 3940953482

[EAN: 9783940953483], Neubuch, [PU: Snoeck], Books