2019, ISBN: 9780821749890

edizione con copertina rigida

London England: Harper Collins Publishers, 2010. Ever since being brought up by The Beatles, Frankie Boyle has been a tremendous liar. Join him on his adventures with his chum Clangy The … Altro …

London England: Harper Collins Publishers, 2010. Ever since being brought up by The Beatles, Frankie Boyle has been a tremendous liar. Join him on his adventures with his chum Clangy The Brass Boy and laugh as he doesn't accidentally kill a student nurse when a party gets out of hand. I don't think anyone can have written an autobiography without at some point thinking "Why would anyone want to know this shit?" I've always read them thinking "I don't want to know where Steve Tyler grew up, just tell me how many groupies he f**ked!"' So begins Frankie's outrageous, laugh-out loud, cynical rant on life as he knows it. From growing up in Pollockshaws, Glasgow ('it was an aching cement void, a slap in the face to Childhood, and for the family it was a step up'), to his rampant teenage sex drive ('in those days if you glimpsed a nipple on T.V. it was like porn Christmas'), and first job working in a mental hospital ('where most evenings were spent persuading an old man in his pants not to eat a family sized block of cheese'), nothing is out of bounds. Outspoken, outrageous and brilliantly inappropriate, Frankie Boyle, the dark heart of Mock the Week, says the unsayable as only he can. From the TV programmes he would like to see made ('Celebrities On Acid On Ice: just like Celebrity Dancing On Ice, but with an opening sequence where paperback reading creases to spine tight clean copy. Graham Norton hoses the celebrities down with liquid LSD'), to his native Scotland and the Mayor of London ('voting for Boris Johnson wasn't that different to voting for a Labrador wearing a Wonder Woman costume'), nothing and no one is safe from Frankie's fearless, sharp-tongued assault. Sharply observed and full of taboo-busting, we-really-shouldn't-be-laughing-at-this humour, My Shit Life So Far shows why Frankie Boyle really is the blackest man in show business. . Reprint. Soft Cover. Good. 8vo - over 7¾" - 9¾" tall. Paperback., Harper Collins Publishers, 2010, 2.5, Wonder Books, 1964. Paperback. Acceptable. 1964. No edition remarks. 127 pages. Illustrated colour cover, further decorated on the reverse side. Black and white in text illustrations throughout by Sergio Leone. Contains six short stories. Pages are moderately tanned. Light foxing to pages and text block edges. One illustration on page 104 has been coloured in with a felt tip, causing bleed through under text on p104. Text remains legible. Cover has moderate wear, marking and scuffs. Corners are slightly curled. Book has a slight forward lean. Binding remains firm., Wonder Books, 1964, 2.5, ISBN: "9781101986103Dutton 11 June 2019Paperback 304 pagesThe intellectual adventure story of the "double-slit" experiment, showing how a sunbeam split into two paths first challenged our understanding of light and then the nature of reality itself--and continues to almost two hundred years later. Many of science's greatest minds have grappled with the simple yet elusive "double-slit" experiment. Thomas Young devised it in the early 1800s to show that light behaves like a wave, and in doing so opposed Isaac Newton. Nearly a century later, Albert Einstein showed that light comes in quanta, or particles, and the experiment became key to a fierce debate between Einstein and Niels Bohr over the nature of reality. Richard Feynman held that the double slit embodies the central mystery of the quantum world. Decade after decade, hypothesis after hypothesis, scientists have returned to this ingenious experiment to help them answer deeper and deeper questions about the fabric of the universe. How can a single particle behave both like a particle and a wave? Does a particle exist before we look at it, or does the very act of looking create reality? Are there hidden aspects to reality missing from the orthodox view of quantum physics? Is there a place where the quantum world ends and the familiar classical world of our daily lives begins, and if so, can we find it? And if there's no such place, then does the universe split into two each time a particle goes through the double slit? With his extraordinarily gifted eloquence, Anil Ananthaswamy travels around the world and through history, down to the smallest scales of physical reality we have yet fathomed. Through Two Doors at Once is the most fantastic voyage you can take. Editorial Reviews Review Praise for Through Two Doors at Once "Through Two Doors at Once is a challenging and rewarding survey of how scientists...are grappling with nature's deepest, strangest secrets." --Wall Street Journal "A fascinating tour through the cutting-edge physics the experiment keeps on spawning." --Scientific American ""In this book, science writer Anil Ananthaswamy gives an absolutely mind-boggling tour of how quantum physicists try to explain this "reality" that one of the most powerful scientific models of our era." --Smithsonian "Through Two Doors at Once offers beginners the tools they need to seriously engage with the philosophical questions that likely drew them to quantum mechanics." --Science "At a time when popular physics writing so valorizes theory, a quietly welcome strength of Ananthaswamy's book is how much human construction comes into focus here. This is not "nature" showing us, but us pressing "nature" for answers to our increasingly obsessional questions." --Margaret Wertheim, The Washington Post "Ananthaswamy's book is simply an outstanding exploration of the double slit experiment and what makes it so weird." --Forbes "A thrilling survey of the most famous, enduring, and enigmatic experiment in the history of science." --Kirkus, starred review "Ananthaswamy deftly describes the science and history of a simple experiment that perplexes physicists to this day." --Symmetry, Physics Books of 2018 "Following up 2015's acclaimed The Man Who Wasn't There, Ananthaswamy treats a 19th-century light experiment as a sprawling intellectual adventure story....This accessible, illuminating book shows that no matter how sophisticated the lab setup, the double-slit experiment still challenges physicists." --Publisher's Weekly, Top 10 Science Books for Fall 2018 "An excellent and comprehensive exploration of notable double-slit-like experiments.... A fascinating and readable exploration of quantum mechanics that is a particularly wonderful book for nonspecialists, hobbyists and students of science -- you may not be able to put this captivating book down until you've finished it." --Forbes "An engaging and accessible history of a fascinating and baffling experiment that remains inconclusive to this day. Recommended for those interested in the subject or anyone wishing to delve further into the double-slit experiment." --Library Journal "Through Two Doors at Once is a fascinating read and a must for anyone who would like to find out the latest experimental advances made in this most fundamental of quantum experiments." --Physics World "Ananthaswamy cleverly comes at quantum physics from a different direction...An excellent addition to the 'Quantum physics for the rest of us' shelf." --Brian Clegg, author of Are Numbers Real? and The Quantum Age "Wondrous book. If I were boarding the Trans-Siberian Railway in Moscow, Anil Ananthaswamy is the companion I'd want in the Lounge car. I would buy him a very good Scotch, say 'Tell me about quantum physics and the scientists who created it,' and then I'd sit back contentedly for the seven days to Vladivostok, and listen." --David Quammen, award-winning author of The Song of the Dodoand (forthcoming) The Tangled Tree "Upon opening his two quantum doors, Anil Ananthaswamy invites us into the bizarre and wacky world of nature on the smallest of scales. An engaging raconteur, he tells us a story that is confounding, disturbing, and yet eminently fascinating. Ananthaswamy serves as the perfect tour guide to physics' wild side by closely examining one of its most famous experiments." --Marcia Bartusiak, award-winning author of Einstein's Unfinished Symphony and Dispatches from Planet 3 "Quantum mechanics asks us to believe a number of bizarre things about the nature of reality. But these demands don't arise out of thin air; they are forced on us by experiments. Anil Ananthaswamy has provided a lively introduction to the most paradigmatic of these: the (in)famous double-slit experiment." --Sean Carroll, author of The Big Picture "The double-slit experiment is among the most important experiments ever conducted, both scientifically and historically. In this brisk and enjoyable book, Anil Ananthaswamy gives the double-slit the biography it has long deserved. Anyone interested in the true nature of our quantum world should read this book." --Adam Becker, Ph.D., author of What Is Real? "All the strangeness of the quantum world is revealed as Ananthaswamy skillfully weaves an almost magical tale out of who, what, when, where and the elusive why surrounding modern versions of an experiment first performed over two hundred years ago. A must read for all those interested in the nature of reality." --Manjit Kumar, author of Quantum "Like quantum particles encountering the fabled double slit, physicists have traveled many different paths in trying to parse the beguiling implications of quantum theory. Through Two Doors at Once is a marvelous guide to the leading ideas - and the stakes - in that century-long quest." --David Kaiser, author of How the Hippies Saved Physics "The first time I saw the double-slit experiment, I thought it was a trick. Even now that I know it's real, it still seems like magic. In his new book, Anil Ananthaswamy brings alive the magic of quantum mechanics." --Sabine Hossenfelder, physicist and author of Lost in Math "For a lover of physics and mathematics, there could not have been a better book to explain the complexities of quantum mechanics." --The Hindustan Times About the Author Anil Ananthaswamy is an award-winning journalist and former staff writer and deputy news editor for the London-based New Scientist magazine. He has been a guest editor for the science writing program at the University of California, Santa Cruz, and organizes and teaches an annual science journalism workshop at the National Centre for Biological Sciences in Bengaluru, India. He is a freelance feature editor for the Proceedings of the National Academy of Science's Front Matter. He contributes regularly to the New Scientist, and has also written for Nature, National Geographic News, Discover, Nautilus, Matter, The Wall Street Journal and the UK's Literary Review. His first book, The Edge of Physics, was voted book of the year in 2010 by Physics World, and his second book, The Man Who Wasn't There, won a Nautilus Book Award in 2015 and was long-listed for the 2016 Pen/E. O. Wilson Literary Science Writing Award. Excerpt. Reprinted by permission. All rights reserved. 1 THE CASE OF THE EXPERIMENT WITH TWO HOLES Richard Feynman Explains the Central Mystery There is nothing more surreal, nothing more abstract than reality. -Giorgio Morandi Richard Feynman was still a year away from winning his Nobel Prize. And two decades away from publishing an endearing autobiographical book that introduced him to non-physicists as a straight-talking scientist interested in everything from cracking safes to playing drums. But in November 1964, to students at Cornell University in Ithaca, New York, he was already a star and they received him as such. Feynman came to deliver a series of lectures. Strains of "Far above Cayuga's Waters" rang out from the Cornell Chimes. The provost introduced Feynman as an instructor and physicist par excellence, but also, of course, as an accomplished bongo drummer. Feynman strode onto the stage to the kind of applause reserved for performing artists, and opened his lecture with this observation: "It's odd, but in the infrequent occasions when I have been called upon in a formal place to play the bongo drums, the introducer never seems to find it necessary to mention that I also do theoretical physics." By his sixth lecture, Feynman dispensed with any preamble, even a token "Hello" to the clapping students, and jumped straight into how our intuition, which is suited to dealing with everyday things that we can see and hear and touch, fails when it comes to understanding nature at very small scales. And often, he said, it's experiments that challenge our intuitive view of the world. "Then we see unexpected things," said Feynman. "We see things that are very far from what we could have imagined. And so our imagination is stretched to the utmost-not, as in fiction, to imagine things which aren't really there. But our imagination is stretched to the utmost just to comprehend those things which are there. And it's this kind of a situation that I want to talk about." The lecture was about quantum mechanics, the physics of the very small things; in particular, it was about the nature of light and subatomic bits of matter such as electrons. In other words, it was about the nature of reality. Do light and electrons show wavelike behavior (like water does)? Or do they act like particles (like grains of sand do)? Turns out that saying yes or no would be both correct and incorrect. Any attempt to visualize the behavior of the microscopic, subatomic entities makes a mockery of our intuition. "They behave in their own inimitable way," said Feynman. "Which, technically, could be called the 'quantum-mechanical' way. They behave in a way that is like nothing that you have ever seen before. Your experience with things that you have seen before is inadequate-is incomplete. The behavior of things on a very tiny scale is simply different. They do not behave just like particles. They do not behave just like waves." But at least light and electrons behave in "exactly the same" way, said Feynman. "That is, they're both screwy." Feynman cautioned the audience that the lecture was going to be difficult because it would challenge their widely held views about how nature works: "But the difficulty, really, is psychological and exists in the perpetual torment that results from your saying to yourself 'But how can it be like that?' Which really is a reflection of an uncontrolled, but I say utterly vain, desire to see it in terms of some analogy with something familiar. I will not describe it in terms of an analogy with something familiar. I'll simply describe it." And so, to make his point over the course of an hour of spellbinding oratory, Feynman focused on the "one experiment which has been designed to contain all of the mystery of quantum mechanics, to put you up against the paradoxes and mysteries and peculiarities of nature." It was the double-slit experiment. It's difficult to imagine a simpler experiment-or, as we'll discover over the course of this book, one more confounding. We start with a source of light. Place in front of the source a sheet of opaque material with two narrow, closely spaced slits or openings. This creates two paths for the light to go through. On the other side of the opaque sheet is a screen. What would you expect to see on the screen? The answer, at least in the context of the world we are familiar with, depends on what one thinks is the nature of light. In the late seventeenth century and all of the eighteenth century, Isaac Newton's ideas dominated our view of light. He argued that light was made of tiny particles, or "corpuscles," as he called them. Newton's "corpuscular theory of light" was partly formulated to explain why light, unlike sound, cannot bend around corners. Light must be made of particles, Newton argued, since particles don't curve or bend in the absence of external forces. In his lecture, when Feynman analyzed the double-slit experiment, he first considered the case of a source firing particles at the two slits. To accentuate the particle nature of the source, he urged the audience to imagine that instead of subatomic particles (of which electrons and particles of light would be examples), we were to fire bullets from a gun-which "come in lumps." To avoid too much violent imagery (what with bombs in the prologue, and a thought experiment with gunpowder to come), let's imagine a source that spews particles of sand rather than bullets; we know that sand comes in lumps, though the lumps are much, much smaller than bullets. First, let's do the experiment with either the left slit or the right slit closed. Let's take it that the source is firing grains of sand at high enough speeds that they have straight trajectories. When we do this, the grains of sand that get through the slits mostly hit the region of the screen directly behind the open slit, with the numbers tapering off on either side. The higher the height of the graph, the more the number of grains of sand reaching that location on the screen. Now, what should we see if both slits are open? As expected, each grain of sand passes through one or the other opening and reaches the other side. The distribution of the grains of sand on the far screen is simply the sum of what goes through each slit. It's a demonstration of the intuitive and sensible behavior of the non-quantum world of everyday experience, the classical world described so well by Newton's laws of motion. To be convinced that this is indeed what happens with particles of sand, let's orient the device such that the sand is now falling down onto the barrier with two slits. Our intuition clearly tells us that two mounds should form beneath the two openings. Turning the experiment back to its or, 0, Last Word Press. New. Ever wondered if your food or water was irradiated, considered the dangers of standing too close to the microwave, or just don?t trust the government that living downwind from ye old nuclear power plant is safe? This is the pamphlet for you. Now you can be the first one on your block to make your own Geiger counter and see why little Johnny glows in the dark. Not responsible for radiation sickness, tumours, lesions, green skin or anger management issues. Last Word Books is an independent bookstore located in Olympia, Washington., Last Word Press, 6, Boston: Little Brown. VG/F. 2001. First Edition. Hardcover; Second Printing. 0316326062 . New, unused book. Black remainder mark to head of text block and inside head of boards at spine. ; Illustrated dustjacket. Glossy illustrated boards same as dustjacket. Wonderful illustrations and cute treatment of subject. ; Remainder; Color Illustrations; ; Unpaginated pages; Suggests all kinds of silly, smelly things that one could do with skunks. ., Little Brown, 2001, 4, San Francisco, CA: North Point Press. Very Good+ in Very Good+ dust jacket. 1990. First Edition; First Printing. Hardcover. One page shows several lines UNDERLINED IN RED INK. Else, Very Good+ in Very Good+ DJ: shows a hint of crimp at the heel of the backstrip; several tiny soil spots at the top edge of the text block; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing minor, unobtrusive imperfections. The DJ shows some rubbing, mostly to the rear panel; else flawless; the price is intact. Attractive and intact. Not far from "As New". REMAINDER, showing a small black dot at the bottom edge of the text block. Not a Book-Club or Ex-Library. 8vo. (9.35 x 6.35 x 1.15 inches) . Language: English. Weight: 21.9 ounces. First Edition (1990) , unstated in accordance with North Point Press's customary practice at the time of publication. Hardcover with DJ. Hugh Kenner (1923 – 2003) was a Canadian literary scholar, critic and professor. He published widely on Modernist literature with particular emphasis on James Joyce, Ezra Pound, and Samuel Beckett. His major study of the period, The Pound Era, argued for Pound as the central figure of Modernism, and is considered one of the most important works on the topic. Though best known for his work on modernist literature, Kenner's range of interests was wide. His books include an appreciation of Chuck Jones, an introduction to geodesic math, and a user's guide for the Heathkit H100/Zenith Z-100 computer; in his later years he was a columnist for both 'Art & Antiques' and 'Byte magazine'. Kenner was a friend of William F. Buckley, Jr. , to whom Kenner introduced word processing, and a contributor to National Review. He also shared a close correspondence with Guy Davenport, the noted scholar and fiction writer. A variety of literary topics are addressed in forty-three lively, often humorous, and wonderfully informative essays. With his trenchant, famously entertaining touch, Kenner explores the role of counting in literature (Joyce and St. Augustine shared a preference for the number eleven) ; the extravagant efforts through the ages to preserve the Iliad and the Odyssey (focusing on Ezra Pound's contributions) ; and Tom Wolfe's prose through the purple decades (Kenner calls him "the nonchalant master of the neon-piped sentence"). Other writers who fall under Kenner's appraising gaze include Flann O'Brien, H. D. , Ernest Hemingway, Sylvia Plath, Dante, Leslie Fiedler, Wallace Stevens, Saul Bellow, William Carlos Williams, Samuel Beckett, and Vladimir Nabokov. ; Large 8vo 9" - 10" tall; 338 pages. pages ., North Point Press, 1990, 3, London: Book Club Associates. Very Good in Very Good dust jacket. 2002. Reprint; First Printing. Hardcover. Book Club Edition . Minor shelf wear to unclipped DJ, slight bowing to boards, some foxing to endpapers and edges of reading block. ; BCA CN106675. Black cloth boards with gilt lettering to spine. Nice tight copy, no names inside. DJ artwork by Bob Warner. ; The Covert-One Novels; Vol. 3; 432 pages; Third in the series of novels featuring a team of experts from a top-secret U. S. Agency called Covert-One. A fiery explosion destroys the esteemed Pasteur Institute in Paris, cyber wizard Marty Zellerbach is left in a coma, whilst Emile Chambord, one of the leaders in the global race to create a molecular, or DNA, computer is missing. Although a terrorist group claims responsibility, US and British officials begin to wonder if a more sinister plot is at work... ., Book Club Associates, 2002, 3, Johns Hopkins University Press, Baltimore and London, 1989. First Edition. Hardcover (1/4 Cloth 3/4 Cloth). Very Good Condition/Very Good. Illustrator: Jens Gregersen. Foreword by John Tyler Bonner and bird species mentioned in the text. Light blue coloured end pages. Black and white line drawings throughout the text have been drawn by Jens Gregersen. 1/4 light cloth covered back strip with dark blue coloured titles. 3/4 darker blue coloured boards. Illustrated dustwrapper, again by Jens Gregersen, with black and blue coloured titles to the front panel and back strip. Black and white photograph of author to the rear fold over panel. The author shares his wonder and delight at observing birds, but, not only of the United States, but of the whole world weaving together as one interrelated web of life.  Softening and rubbing of the back strip edges rubbing of the lower edges. Light age toning of the text block edges and there are signs of removal of a sticker to the top right-hand of the free front end page. A little creasing to the top dustwrapper edge with rubbing of the panels. Sunning of the back strip and to the rear panel. There is a 2.5" tear lower back strip edge, which a previous owner has supported tape to the verso – tape still in situ.  Size: 8vo - over 7¾" - 9¾" tall. [6], VII- IX, 140, [2] pages,. Dust Jacket price-clipped. Please refer to accompanying picture (s). Illustrator: Jens Gregersen. Quantity Available: 1. Category: Animals & Birds; Ornithology; Illustrated; United States; ISBN: 080183869X. ISBN/EAN: 9780801838699. Inventory No: 0126007. . 9780801838699, Johns Hopkins University Press, 1989, 3, Hamish Hamilton, London, 1978. First Edition. Hardcover. Very Good Condition/Very Good. Blue coloured boards with gilt coloured titles to the back strip. Illustrated dustwrapper (wraparound), by Tom Adams, with white coloured titles to the front panel and back strip. Black and white photograph of author to the rear fold over panel. In 1912 the Titanic sunk. In 1941 there was a horrifying murder case in Hawaii. In 1962 and author given an extraordinary assignment to write about the 50th anniversary of the sinking of the Titanic. No connections? The policeman and the author are one in the same, and the involvement of the paralysed millionaire, William Ryker, whose wife went down with the Titanic, but, whose daughter Eva was saved (but never recovered from the shock), and William Ryker wants to salvage the Titanic, is puzzling. Deaths occur and the author starts wondering about the real reason William Ryker wants to salvage the Titanic, the horrifying murders in 1941 – all depend on Eva Ryker recovering her memory.  Rubbing of the book edges with some softening of the back strip edges. Staining to the front panel with age toning and stains of the text block edges. Age toning of the pages. Rubbing of the dustwrapper edges and panels with 1/2 inch split to the top edge of the front fold over crease. The laminate of the dustwrapper has started to lift on the lower edge of the rear panel. Some bleeding of the book colour to the verso of the dustwrapper.  First English Edition. Size: 8vo - over 7¾" - 9¾" tall. [6], 7 - 350 pages.. Please refer to accompanying picture (s). Quantity Available: 1. Category: Crime Fiction; ISBN: 0241898811. ISBN/EAN: 9780241898819. Inventory No: 0286694. . 9780241898819, Hamish Hamilton, 1978, 3, HarperCollins Publishers, June 1998. First Edition. Hardcover . Good/Very Good. From the bestselling author of such wonderful novels as 'Outer Banks, Peachtree Street', and last year's summer blockbuster 'Up Island' comes an empowering story of a woman's life-changing fight to save an island of wild ponies. 'One doesn't read Anne Rivers Siddons's books; one dwells in them'.--'Chicago Tribune'. Light shelf wear on the jacket. Tanning on the edges and margins of the print block. Small black line on the front board., HarperCollins Publishers, 2.75, Kensington, 1995. First Printing. Hardcover. Like New. NICE BOOK! FIRST PRINTING. MILD SHELF WEAR ON DUSTJACKET, MARK ON BOTTOM EDGE, NO MARKS IN TEXT. "From Publishers Weekly: This second outing (after Chutes and Adders) for Syracuse, N.Y.'s Robin Light is aptly named. But before the plot begins to turn, much of the fun comes from the 40-something, widowed pet-shop owner's supporting cast: an assistant with a shaved head; a teenage greaser-wannabe pal; a gruffly caring policeman friend; and the menagerie in her store. Trouble, however, comes from an old friend. When Robin agrees to ride along with glamorous, Jag-driving Lynn to "see this guy," she figures she's meant to provide moral support during another episode of Lynn's tumultuous personal life. But, after waiting too long in the car, she tracks Lynn?only to find her friend kneeling over a corpse whose face looks vaguely familiar. Robin herself is implicated when one of her business cards from her journalism days is found in the dead man's pocket. After linking the dead man to a sensational, eight-year-old murder, she wonders why he had her card and what Lynn has to do with him and, possibly, the older crime. It's a twister all right, but Block skillfully carries readers through the turbulence to a satisfying conclusion. Copyright 1995 Reed Business Information, Inc.", Kensington, 1995, 5<

1995, ISBN: 9780821749890

edizione con copertina rigida

New York: Kensington Books, 1995. N5 - A first edition (First Printing July 1995 stated) hardcover book SIGNED by author on the title page in very good condition in very good dust jacket.… Altro …

New York: Kensington Books, 1995. N5 - A first edition (First Printing July 1995 stated) hardcover book SIGNED by author on the title page in very good condition in very good dust jacket. Dust jacket and book have some light discoloration and shelf wear. A Robin Light Mystery. 7.5"x5.5", 307 pages. Satisfaction Guaranteed.. Signed by Author. First Edition. Hardcover. Very Good/Very Good. 12mo - over 6¾" - 7¾" tall., Kensington Books, 1995, 3<

1995, ISBN: 0821749897

[EAN: 9780821749890], Gebraucht, sehr guter Zustand, [SC: 8.26], [PU: Kensington Publishing Corp.], Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in… Altro …

[EAN: 9780821749890], Gebraucht, sehr guter Zustand, [SC: 8.26], [PU: Kensington Publishing Corp.], Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s)., Books<

1995, ISBN: 0821749897

edizione con copertina rigida

[EAN: 9780821749890], Gebraucht, sehr guter Zustand, [SC: 13.31], [PU: Kensington Publishing Corp.], First Edition. First printing., Books