A Passage to India (Abinger Edition of E.M. Forster S.) - copertina rigida, flessible

A Passage to India (1924) is a book classic - a novel by English author E. M. Forster set against the backdrop of the British Raj and the Indian independence movement in the 1920s. It was selected as one of the 100 great works of 20th century English literature by the Modern Library[1] and won the 1924 James Tait Black Memorial Prize for fiction.[2] Time magazine included the novel in its "All Time 100 Novels" list.[3] The novel is based on Forster's experiences in India, borrowing the title[4] from Walt Whitman's 1870 poem[5] in Leaves of Grass. The story revolves around four characters: Dr. Aziz, his British friend Mr. Cyril Fielding, Mrs. Moore, and Miss Adela Quested. During a trip to the Marabar Caves (modelled on the Barabar Caves of Bihar),[6] Adela finds herself alone with Dr. Aziz in one of the caves, panics and flees; it is assumed that Dr. Aziz had attempted to assault her. Aziz's trial, and its run-up and aftermath, bring to a boil the common racial tensions and prejudices between indigenous Indians and the British who rule India., What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: can an Englishman and an Indian be friends?

Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs Moore and Cyril Fielding--and the Indian, Dr Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed.

Despite their countrymen's disapproval, Miss Quested, Mrs Moore and Mr Fielding are all eager to meet Indians, and in Dr Aziz they find a perfect companion: educated, westernized, and open- minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr Aziz of sexually assaulting her, but then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.

Arguably Forster's greatest novel, A Passage to India paints a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political, and in the breach between Aziz and his English "friends", Forster foreshadows the eventual end of the Raj. --Alix Wilber